Guto Colunga is the Chief Executive Officer of Diosual Entertainment, a diverse content company he founded in 2017 under the name GC Produções e Conteúdo, a nod to his initials. In 2021, the company changed its name to Diosual. As the CEO, he defines and executes the company's strategic vision across all of its divisions: Diosual Television Studios, Diosual Pictures Studios, Diosual Distribution, Diosual Talents and Diosual Theatrical.

In 2022, Guto launched Diosual Talents, a talent division with a diverse roster of showrunners, authors, writers, directors, and producers whose clear objective is to enhance Diosual Entretenimento's creative capabilities, unite top talents, and create exceptional stories for all platforms. Diosual Talents features an array of renowned script writers and directors, credited with producing numerous Brazilian blockbusters and who have prestigious international awards such as the Emmy.

In that same year (2022), Guto launched film and television divisions, Diosual Pictures Studios and Diosual Television Studios, with the ambitious goal of establishing high-quality content and a list of bold and original series, films and documentaries for multiple platforms.

In 2023, Guto launched the company's newest business segment and division, Diosual Theatrical, aiming to bring people together using exciting live experiences. Diosual Theatrical is committed to excellence in all of its endeavors and, as it recognizes the transformative potential of culture, it is dedicated to promoting educational programs and access to the theater.

In January 2025, Guto launched a new strategic division within Diosual: Diosual Distribution, specializing in the distribution of films, series, and documentaries across multiple platforms. The initiative aims not only to distribute Diosual's original content but also to establish partnerships with independent producers from different parts of the world, expanding the reach in Brazil, Latin America, Europe, and the U.S. The division's first major deal was with Medialand Productions, one of Brazil's leading independent producers in the true crime segment, with the goal of expanding their content to cable channels, streaming platforms, FAST services, and free-to-air TV, increasing their presence and reaching a growing global audience.

Guto Colunga has been a lifelong television and film enthusiast. He holds a degree in film and media production from Estácio de Sá University in Rio de Janeiro and has 19 years of experience, including roles as a producer at TV Globo and TV Globo Internacional. He was born in the countryside of Paraná and has never forgotten his roots. At the age of 18, he moved to Rio de Janeiro, and has been in love with the city ever since, considering himself a Carioca (Rio de Janeiro native) by adoption. He is passionate about sports, travelling, and motorhomes.

An expert with vast experience in the world of entertainment, Maria Carolina Mello is the executive producer and head of international co-productions at Diosual. With a remarkable track record, she has excelled in various roles throughout her career.

With a bachelor’s degree in journalism and a graduate degree in cultural journalism and digital marketing, she has 17 years of experience in the entertainment industry. Throughout this time, Maria Carolina Mello has held key positions in renowned companies such as Rede EBC (TV Brasil), SBT, and TV Globo, where she remained for 11 years and excelled in successful projects such as the soap operas "The Favorite," "Gabriela,” “Trail of Lies,” “Edge of Desire,” and “Sweet Diva.” She was also challenged with supervising popular reality shows such as "Big Brother Brazil", and "Special Olympics Rio 2016."

During her last four years at TV Globo, Maria Carolina Mello held the role of executive producer, proving her exceptional entertainment project management skills. In addition to her national productions, she has expanded her presence in the European film and television market, playing a crucial role in prominent international co-productions such as “Dreaming of Lions,” Matilha (The Pack) and Operação Maré Negra (Black Tide Operation) in collaboration with Portugal and Spain. She also held the position of production executive for TV Globo's soap opera “The Path,” which was filmed in Portugal.

Lenilson Araujo works as an executive budget and control supervisor at Diosual. He has over 28 years of experience in the field of planning and control with a bachelor’s degree in economics from Gama Filho University, a graduate degree in financial management from Getulio Vargas Foundation (FGV), and an MBA in business management from the Brazilian Institute of Capital Markets (IBMEC).

Throughout his career, he has gained valuable experience at a number of prestigious organizations. His professional background includes internships at Generali do Brasil, where he assisted the controller's office, and at Sul América Seguros, where he was a junior budget analyst.

His career led him to TV Globo in November of the year 2000, where he held numerous positions over the years. As a financial analyst, he was initially in charge of the budget and supervising technical departments. In 2003, he took on the role of overseeing program budgeting and, as of 2013, expanded his responsibilities to include product planning. Lenilson joined Conspiração Filmes as a controllership analyst in December 2021, where he undertook budget management, oversaw products, bank reconciliations, and client reports.

In April 2022, he rejoined TV Globo as a business partner, where he was involved in budgeting, controlling, and planning for technical departments. His responsibilities included accounting closing, financial forecasting, generating monthly results reports for the board of directors, and developing the annual budget for the technical departments.

In addition to his academic and professional experience, Lenilson complemented his education with a course in project management from Dinsmore Associates, demonstrating his commitment to continuing development.

In September of 2023, Lenilson Araujo joined Diosual as its executive budget and control supervisor. With substantial experience and solid financial planning abilities, he is well-equipper to lead and significantly impact Diosual’s team using his expertise and commitment to excellence to contribute to the company’s success.
 

As administrative manager, Raimundo Oliveira is responsible for overseeing and improving all administrative processes at Diosual. He also holds a key role in analyzing and implementing new business initiatives across the organization, ensuring that our management approach is aligned with our growth objectives.

Raimundo Oliveira brings over two decades of experience at TV Globo to Diosual. During his time at the broadcaster, he was played a key-role in the administrative operations, providing critical support to dramatic arts productions, reality shows, and series. His amazing ability to manage intricate financial negotiations with artists and agencies has proven to be a useful asset in his career path.

Raimundo meticulously oversees all administrative aspects of the company. His commitment ensures that payments and rendering of accounts are processed efficiently, with transparency, and most importantly, in accordance with industry best practices.

His unique perspective, rooted in his Indigenous origins from Manaus, further enriches and increases the Diosual corporate environment’s inclusivity. He has a keen eye for diversity, cultures, people, and market nuances.

With a bachelor's degree in business management from Santa Úrsula University, Raimundo is known for his dedication, commitment, and business vision.

Talita Almeida has been a crucial figure in the entertainment industry for over 16 years, bringing her passion and experience to post-production supervision at Diosual. Talita has a solid and broad career experience and has played a key role in a variety of projects, from fiction feature films to TV series and documentaries, proving her outstanding versatility and professionalism.

She is well-known for her extensive role in post-production supervision, where she manages all aspects from pre-production to completion. Planning the schedule and budget, assembling the post-production team, and overseeing critical components such as editing, color correction, sound editing, soundtrack production, and videography are all integral aspects of her role. Her commitment to delivering a high-quality final product is evident, whereas she also actively oversees the project from its launch to the final premiere.

Talita Almeida has built an impressive portfolio of projects throughout her career, including: "Ainda Estou Aqui" ("I'm Still Here") (2024), directed by Walter Salles, the first Brazilian film to win the Academy Award for Best International Feature; "Dois é Demais em Orlando" ("Two is a Crowd in Orlando") (2024); "Mussum, o Filmis" ("Mussum, the Movie") (2023); "2 é Demais" ("Two is a Crowd") (2023); "Virando a Mesa" ("Turning the Tables") (2021); "Os Suburbanos" ("The Suburbans") (2019); "Chacrinha: O Velho Guerreiro" ("Chacrinha: The Old Warrior") (2018); "Linda de Morrer" ("Drop Dead Gorgeous") (2018); "A Sogra Que Te Pariu" ("Smother-in-Law"), a Netflix original (2022 | 2023); "Sob Pressão" ("Under Pressure"), second season, a TV Globo original (2018); and "Greg News," an HBO original (2017–2023). In addition to these, she has also contributed to various documentaries, TV series, and institutional projects, showcasing her versatility and expertise in the field.

Talita holds a bachelor´s degree in film and media production from Estácio de Sá University in Rio de Janeiro, complemented by additional courses in the audiovisual field, including a workshop led by Cacá Diegues.

With her passion for film and her ability to oversee all aspects of post-production, Talita Almeida is a leading figure in the industry, contributing to the creation of memorable, high-quality audiovisual projects at Diosual Television Studios and Diosual Pictures Studios. Her commitment and skills continue to drive the success of the many projects she is involved in.